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Richard Meyer
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| While the carnival, circus, and sideshow have a time-honored, symbolic resonance, I conceive each outsider, clown and freak as a fully articulated individual. Under the makeup, tattoos and clinical malformations are persons drawn from history and life models. The image of the anomalous person presents a sympathetic identification both feared and compassionate. |
| http://www.meyon.com |
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Thomas Leveritt
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| He prefers painting faces, as it's their geometries to which the human brain has the most acute sensitivity. And kind of therefore, the greatest scope for emotional response. Also, portrait painting is one of the few forms of 2-D art that retains an objective benchmark of success. |
| http://www.leveritt.com |
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Disclaimer
� 2003 Agora Gallery, All Rights Reserved
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